“A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.”
Poem in October – Dylan Thomas
“I consider a tree.
I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background.
I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself.
I can classify it in a species and study it as a type in its structure and mode of life.
I can subdue its actual presence and form so sternly that I recognize it only as an expression of law…..
I can dissipate it and perpetuate it in number, in pure numerical relation.
In all this the tree remains my object, occupies space and time, and has its nature and constitution.
It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It…
It is not necessary for me to give up any of the ways in which I consider the tree… Rather is everything, picture and movement, species and type, law and number, indivisibly united in the event.”
[Martin Buber, ‘I and Thou’, T & T Clark, Edinburgh, 1937]